Featured artist – Lisa Sewards

This year we will be doing monthly profiles on all our artists. Our featured artist for March is Australian printmaker Lisa Sewards.

Lisa uses traditional printmaking techniques including etching, drypoint, aquatint, and engraving. She also explores the potential of solar plate etching. We have a number of Lisa’s etchings in our catalogue. You can see them online or make an appointment to see them in our Rome gallery.

Lisa Sewards Little Parachute Pigeon

Lisa’s work combines delicacy of touch with strong imagery and a limited palette. Her iconography reflects a preoccupation with memory, identity and loss stemming from her family’s experiences in World War 2. Parachutes, carrier pigeons and water are all recurring motifs, loaded with emotional significance.

Lisa Sewards Love is in the air

Lisa has been represented in major exhibitions around Australia, including solo exhibitions at the Port Jackson Press and fortyfivedownstairs galleries in Melbourne.  In 2018 she was a finalist in the Collins Place Gallery Summer Salon Art Prize and the 45th Muswellbrook Art Prize
Works on Paper Section

Lisa Sewards Chaos-3

 

 

 

 

 

 

 

 

 

Australian art in Rome in August and autumn classes

art | craft | anima - Counterweave - Melbourne + Rome. Australian, Aboriginal & Asia-Pacific contemporary arts, crafts & textiles. Reiki & Tarot.

Felicity Griffin Clark – mixed media indigo concertina art book

Australian art specialists in Rome, Counterweave Arts Gallery & Workshop is open throughout the summer.

August in Rome is traditionally when businesses close for the summer holiday. It’s true Rome is hot, people are saying ‘see you in September’ and there are signs going up on shop doors saying ‘chiuso per ferie’. But Counterweave Arts is open for business! If you want a cool place to revive, and see some beautiful artwork by Australian artists email us at [email protected] to arrange an appointment. Currently in the gallery we have works on canvas by Central Australian Aboriginal artists represented by Artists of Ampilatwatja and Warlukurlangu Artists Aboriginal Corporation, etchings by Melbourne artists, Lisa Sewards and Trudy Rice, and mixed media and textiles by Felicity Griffin Clark. Click here to see full catalogues of our current stock.

 

Nathania Nangala Granites, Warlukurlangu Jukurrpa (Fire country Dreaming)

 

Lisa Sewards Love is in the air

 

We also have some amazing wearable art in stock, with beautiful handwoven necklaces by Mary Burgess, silk scarves featuring the unique designs of Artists of Ampilatwatja and indigo silk scarves by Felicity Griffin Clark. These are also available in the online shop here.

We are currently working on our autumn/winter 2017 Counterweave Workshop program, with classes including:

  • Introduction to eco and indigo dyeing (one day workshop)

  • Introduction to shibori (one day workshop)

  • Meditating the Spindle – an introduction to mindful spinning (three half-day workshops)

Workshops will include materials, class notes and snacks, for a maximum of six participants, and led by Felicity Griffin Clark, an experienced mixed media and textile artist.  Dyeing and shibori workshops will use a range of natural materials including silk, wool, cotton and paper. Meditating the Spindle will focus on using wool and silk fibres. One to one classes for individual students are also available.

For more information email [email protected] or subscribe to the Counterweave newsletter for updates on exhibitions, opening nights, workshops and early bird discounts. A full autumn program and online booking will be available soon.

Exhibition opening night!

Counterweave Arts Gallery & Workshop had a very successful exhibition opening on Tuesday evening.

The artworks by Trudy Rice, Lisa Sewards, Artist of Ampilatwatja and Warlukurlangu Artists Aboriginal Corporation just glowed on the walls! In spite of the very warm and humid weather we had a steady stream of visitors who  were really captivated by the different responses to landscape by Aboriginal and non-Aboriginal artists, and admired the variety of techniques and media used by the artists.

Counterweave is open by appointment – just contact us at [email protected] or through the Counterweave Facebook page to make a time! Free pdf catalogues and price lists are also available.

Two Australian Printmakers – Lisa Sewards and Trudy Rice

Counterweave’s opening exhibition features the work of Trudy Rice and Lisa Sewards – two well-established Australian printmakers renowned for their strength and delicacy of their work. The works in this exhibition are solar plate etchings printed on BFK Rives paper BFK Rives 280gsm, and sold unframed. Email us at [email protected] for a full catalogue and prices.

 

Lisa Sewards, Pigeon Wing II ( plate 30×20.5cm, paper 50x33cm) POA

 

Lisa Sewards, Love is in the air (plate 10.5cm diameter, paper 26x21cm) POA

 

Trudy Rice, Black Cockatoo & Hakea II (38 x 28.5 cm) POA

 

Trudy Rice, Blue Pincushion Protea in the garden
( 76 x 28.5 cm) POA

Counterweave Arts opening exhibition

Counterweave Arts is proud to invite you to our opening exhibition, featuring etchings by Australian printmakers Lisa Sewards and Trudy Rice and paintings and textiles from the Ampilatwatja and Warlukurlangu artists of Central Australia. The exhibition opens on Tuesday 27 June at 6.30pm and will be open by appointment from 28 June until Saturday 15 July. If you can’t get to the gallery please email us at [email protected] and we’ll send you a pdf catalogue.

Lisa Sewards, Little Parachute Pigeon 1/8, Etching (solar plate), plate size 9.5×20.5cm, paper 21x28cm, edition of 8, unframed, 2017 POA

Based in Melbourne, Trudy and Lisa have complementary approaches to printmaking and draw on a range of contemporary and traditional techniques including intaglio, etching, linocut, solar plate etching and digital technology.

Lisa Sewards is an award-winning Melbourne based artist with her work represented in collections throughout Australia. Lisa explores themes of memory, safety, silence, hope and strength through recurring images of parachutes and carrier pigeons, and the roles they played during World War II.  The parachute object is the source for her imagery, continually creating storytelling in the absence of text.  Find out more about Lisa here.

Trudy Rice, Red dragonfly with 4 seed pods and green cotton lavender etching (solar plate) 38 x 57 cm, unframed, POA

Trudy Rice is well-known for her sensitive artistic response to the natural world – her work features exquisitely observed and rendered depiction of birds, native plants, insects and sealife.  Much of her inspiration is collected quite close to home, from her garden and around the coastal landscape of Lorne on Victoria’s picturesque Great Ocean Road. Her studio is filled with specimens collected from the bush and sea. Find out more about Trudy here.

The work of Ampilatwatja and Warlukurlangu artists reflects their deep connection to country – we will be featuring different artists from both communities on the blog over the next few weeks. This post highlights the work of Lorraine Napangardi Wheeler of the Warlukurlangu Artists Aboriginal Corporation and Joycie Pitjarra Morton of Artists of Ampilatwatja.

Lorraine Napangardi Wheeler,  Lukarrara Jukurrpa (Desert Fringe-rush Seed Dreaming) (30 x 30 cm) POA

Lorraine Napangardi Wheeler’s painting is of  the Lukarrara Jukurrpa, which Jukurrpa belongs to women of the Nakamarra/Napurrurla subsections and to Jakamarra/Jupurrurla men. This Dreaming is associated with a place called Jaralypari, north of Yuendumu. Find out more about Lorraine’s painting here.

Joycie Pitjarra Morton, My Country 61 x 51 cm Acrylic on Linen POA

Joycie Pitjarra Morton paints with Artists of Ampilatwatja.  Joycie’s husband is from Ampilatwatja and she has lived here for many years, however her country is “out Rum Jungle Way.” about 100 kms south of Darwin. In 1952 the Australian Government funded the setting up of a mine and treatment plant to provide uranium oxide concentrate to the UK-US. Although the Rum Jungle mine closed in 1971, one of the main environmental impacts of uranium mining is the creation of large volumes of radioactive mine waste (tailings) which are left behind on the site. Joycie’s land is still recovering from the damage that was done. This painting of Joycie’s depicts a happier time, when she remembers the land from which she came. Find out more about Joycie here.

 

 

 

 

 

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Mary Burgess – Woven Memories exhibition

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